Chemical Affinities was screened at Melted Film Festival, curated by Geo-Frames and Future Number Five, DDW24 Netherlands
I am part of one of the teams selected for the official Portuguese representation at the Venice Architecture Biennale 2025 with the project ‘Reclaim, Repair, Regenerate: Towards a constellation of protocols’ by António Pedro Faria, João Francisco Sousa, Miguel Teodoro, Nádia Santos and Tiago Ascensão.
Sonic Letters. A collaborative sound piece: “Doc’s Kingdom — A Movable House of Reflection”
We’re thrilled to unveil the collaborative sound piece made by the Dear Doc Fellows — an experimental collage of sounds collected, created, and recorded during the Doc’s Kingdom Seminar 2023.
This documentary sound piece weaves together a constellation of words, thoughts, sensations, and memories from the first Seminar edition taking place in Odemira, Alentejo. It brings together diverse voices and soundscapes: excerpts from talks by Elena Duque, Sílvia das Fadas, Stefanie Baumann, and Claire Atherton; evocative film fragments; reflections penned and read by Sofie Cato Maas; field recordings captured throughout the Seminar; and even the spectral presence of filmmakers like Amy Halpern and Robert Kramer.
Rather than aiming to create an objective and comprehensive archive of the Seminar, the assembled fragments intertwine freely, creating a rich and horizontal narrative, and invite listeners to think about larger questions like sound and editing, the connections between the film programme and the local community and struggles, the ethics and politics of documentary and archives.
Listen here
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Imagined and composed by: Clara Tejerina, Cristopher Ruiz, Maria Inês Gonçalves, Maura Grimaldi, Miguel Teodoro, Oana Ghera, Orisel Castro, Pavel Tavares, Sofie Cato Maas, Stefanie Baumann, Sara Morais, Hélder Beja, Diogo Pinheiro, Catarina Boieiro, Marcia Mansur
“Spectral Shifts and Sentinel Media” was shortlisted for the BAD Award 2024, in collaboration with Phd Ramon Hanssen
Chemical Affinities was on show at the Culturgest’s vault room in the context of the exhibition Fazer #2, curated by Frederico Duarte and Vera Sacchetti
Chemical Affinities will be premiered at Dutch Design Week 23 , Eindhoven, Netherlands
Graduation Show 23, DDW23
Visual Essay published in Umbigo Magazine issue #86 Connection/Disconnection – special edition with Fertile Futures - Official Portuguese Representation 18th International Architecture Exhibition La Biennale di Venezia 2023
Pó de Vir a Ser opens its doors on the 30th of September at 7 pm to publicly present the process and results of the work by the resident artist Miguel Teodoro.
In an installation format, designed for and from the space of Évora's Old Slaughterhouse, Miguel Teodoro's RESSONÂNCIAS presents his visual research around issues of soil fertility in the Alentejo and its relationship with image technologies.
Miguel Teodoro's artistic residency is part of the programme cycle entitled “A Condição do Campo" dedicated to revisiting the concept of sculpture. Taking as their starting point the dialogue with matter • stone • marble, the resident artists develop their work from a critical review of the concepts of sculptural production. Working towards a contemporary reading of the statement proposed in Rosalind Krauss' "Sculpture in the Expanded Field”, the artists work from their own practices in articulation with other disciplinary vocabularies.
“Electro-tecture” occupies a field of 18.9 x 29.4 metres with a system of 49 pots, built from marselha tiles, where sunflowers have been planted. The project investigates a XIXth century cultivation technology that uses electromagnetic waves to enhance plant growth. The seven rows of pots, with different types of antenna, are part of an ongoing experiment, guided by the Oficina Pedrêz, during the International Summer Seminar Fertile Futures.
Team: Laura Cazaban, Filipa van der Laan, Martim Neiva, Miguel Teodoro, Ricardo Garcia, Rodrigo Pereira, Gabriela Sánchez-Jara, Julia Froner, Margherita Prisco, Filipe Miranda, Alberto José